On the full moon closest to the summer solstice, we fixed our camera to its mount, pointed it straight out the front windshield, and drove from New York to L.A. – filming the entire cross-country drive in a single, continuous shot.
No cuts, no edits, the camera running in real time, never stopping, day and night, even at gas stops. The epic 57-hour, 3,000-mile journey just as it is: One long road, the breadth of America unfolding behind it.
And that’s it. That’s the film. DRIVE.